Asti Sherring | Cultural heritage | Best Researcher Award

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Ms. Asti Sherring | Cultural heritage | Best Researcher Award

Ms. Asti Sherring, University of Canberra, Australia

Ms. Asti Sherring is a visionary leader and expert conservator, recognized for her pioneering contributions to cultural heritage management and conservation. With a Ph.D. from the University of Canberra and a Masters in Cultural Materials Conservation from Melbourne University, she brings extensive expertise to her roles. As the CEO and director of Open Circuits Conservation, Asti spearheads innovative projects in time-based media, contemporary art, and digital preservation. Her leadership extends to academia, where she serves as a sessional

Publication profile:

Scopus

Orcid

Education:

Asti Sherring’s academic journey is a testament to her dedication to the preservation and appreciation of art 📚. Beginning with a Bachelor’s degree in Visual Arts with a focus on Photomedia from Sydney University, she honed her craft and passion. This led her to pursue further studies, obtaining a Bachelor of Visual Arts (Honours) from Sydney University’s College of the Arts. Asti then delved deeper into the intricacies of cultural conservation, earning a Masters in Cultural Materials Conservation with a specialization in Paper and Photographs from Melbourne University. Her academic pursuits culminated in a Ph.D. from the University of Canberra’s Arts and Design faculty, solidifying her expertise in the field 🎓.

 

Grants/Awards:

Asti Sherring’s illustrious career has been adorned with numerous accolades and grants, affirming her dedication to excellence in the field of art conservation 🏆. Among her notable recognitions are the prestigious Colin Pearson Research Award from AICCM in 2022, underscoring her contributions to research. She also received the Tru Vue Travel Scholarship in 2019, facilitating her endeavors in exploring diverse cultural landscapes. Asti’s commitment to continuous learning is evident through grants such as the Gordon Darling Foundation Travel Scholarship and the Create NSW Professional Development Grant in 2018. Her global engagement includes attending workshops at esteemed institutions like the Museum of Modern Art in New York, further enriching her expertise 🌍.

Experience:

Asti Sherring’s journey through the realms of art conservation and academia is akin to navigating a rich tapestry, woven with expertise and dedication 🎨. From her tenure as a pioneering Time-based Art Conservator at the Art Gallery of New South Wales to her leadership roles at esteemed institutions like the University of Newcastle and University of Sydney, Asti has left an indelible mark. Her commitment to preserving cultural heritage extends beyond traditional mediums, encompassing digitization and contemporary art. Asti’s multifaceted roles, including CEO of Open Circuits Conservation, underscore her versatile skill set and passion for advancing cultural stewardship 🌟.

Research Focus:

Asti Sherring’s research focus revolves around the intricate realm of time-based art conservation, positioning her as a pioneering figure in the field ⏳. Through her comprehensive studies and publications, she delves into multifaceted aspects such as ethics, preservation techniques, and the evolving nature of conservation practices. Asti’s work encompasses a wide spectrum, from practical resources like the “Art Gallery of New South Wales Time-based Art Tool Kit” to reflective analyses such as “Don’t You Think it’s Time?” Her contributions shed light on the challenges and opportunities inherent in conserving time-based artworks, fostering dialogue and innovation within the cultural conservation sphere 🖼️.

 

Publication Top Notes:

Embracing Humanness in Cultural Materials Conservation: A Roundtable Discussion with Conservation Professionals on Ethics, Values and the Future

Art Gallery of New South Wales Time-based Art Tool Kit: practical resources for the documentation and preservation of time-based artworks

Don’t You Think it’s Time? Reflecting on Time-Based Media Art Conservation Practices in Australia

Exploring the Outlands: A Case-Study on the Conservation Installation and Artist Interview of David Haines’ and Joyce Hinterding’s Time-Based Art Installation

Changeability, Variability, and Malleability: Sharing Perspectives on the Role of Change in Time-based Art and Utilitarian Machinery Conservation

Divergent conservation: cultural sector opportunities and challenges relating to the development of time-based art conservation in Australasia

What is the Object? Identifying and describing time-based artworks