Vivien Jiaqian Zhu | History of Art | Best Researcher Award

Dr. Vivien Jiaqian Zhu | History of Art | Best Researcher Award

Dr. Vivien Jiaqian Zhu,Stanford University and University of California, Berkeley, United States

Dr. Vivien Jiaqian Zhu is a distinguished scholar specializing in Japanese literature and art history. Currently, she is pursuing her Ph.D. as a Regentโ€™s Fellow at UC Berkeley and serves as a visiting scholar at Stanford University. Dr. Zhu’s academic journey includes an A.B. in Comparative Literature from UC Berkeley, enriched with a minor in Art History, and a Mitsubishi Bursary-supported study at the University of Cambridge in Japanese palaeography. Her diverse experience spans teaching Chinese calligraphy, conducting archival research in prestigious institutions, and contributing to academic journals. Dr. Zhu’s work explores the intersection of cultural narratives, visual art, and linguistic expression. ๐ŸŒธ๐Ÿ“šโœ’๏ธ

 

Publication Profile

Orcid

๐ŸŽ“ Academic Honors

Dr. Vivien Jiaqian Zhu has garnered numerous academic accolades throughout her illustrious journey. She is the 2024 Mitsubishi Research Fellow for Early Modern Japanese Palaeography at the University of Cambridge. At UC Berkeley, she earned the prestigious Regentโ€™s Fellowship and the Theresa Hak Kyung Cha Fellowship Award in 2018. Recognized for her excellence, she received the Phi Beta Kappa membership, Golden Key Honor Society induction, and multiple departmental awards. Dr. Zhuโ€™s accomplishments include the Nippon Foundation Fellowship at Stanford, the Dietrich von Bothmer Classical Scholarship, and several merit-based scholarships and honors during her undergraduate and graduate studies. ๐ŸŒŸ๐Ÿ“œ๐Ÿ†

 

๐Ÿ’ผ Professional Experience

Dr. Vivien Jiaqian Zhuโ€™s diverse professional journey reflects her commitment to academic excellence and interdisciplinary research. She serves on the editorial board of the International Journal of Sustainable Fashion & Textile and edits the Language & Theory Section for Ling Mag. Dr. Zhu has contributed to the ARC-iJAC project at Ritsumeikan University and reviews for the Cambridge Educational Research e-Journal. Her extensive archival research spans institutions like UC Berkeley, Yale, and The University of Tokyo. A skilled curator and translator, she has held roles in marketing, legal internships, and as a self-employed Chinese calligrapher since 2003. โœ๏ธ๐Ÿ“š๐ŸŒ

 

๐Ÿ“š Teaching Experience

Dr. Vivien Jiaqian Zhuโ€™s teaching portfolio highlights her dedication to mentoring and education. Since 2020, she has supervised independent research projects at Zhiwei Education Technology LLC and LinkDoctor, guiding students on topics such as geography and female education during Republican China. Dr. Zhu delivered an invited lecture and demo on Chinese calligraphy at UC Berkeley in collaboration with Japanese scholar Ryosuke Ueda. She also facilitated a DeCal course on Chinese calligraphy under Professor Patricia Berger and worked as a Chinese tutor at Black Pine Circle School. Her teaching integrates creativity, cultural heritage, and academic rigor. โœจ๐Ÿ–‹๏ธ๐Ÿ“–

 

Research Focus

Dr. Vivien Jiaqian Zhuโ€™s research focuses on the interplay between poetics and spatial representation in avant-garde fashion, particularly 1980s Japanese designers. Her work, such as “I Dwell in Possibility: The Poetics of Space in the Works of 1980s Japanese Avant-Garde Fashion Designers,” explores innovative expressions in fashion as cultural and artistic narratives. This interdisciplinary approach bridges comparative literature, East-West aesthetics, and visual culture. Dr. Zhu delves into how space, identity, and creativity manifest in avant-garde designs, enriching understanding in fashion studies, cultural criticism, and modern Japanese art. โœจ๐Ÿ‘˜๐Ÿ“š

 

Publication Top Notesย ๐Ÿ“š

๐Ÿ“ “I Dwell in Possibility: The Poetics of Space in the Works of 1980s Japanese Avant-Garde Fashion Designers” by Vivien Jiaqian Zhu, published in Comparative Literature: East & West (2024)โœจ๐Ÿ“–

Arts and Humanities

Introduction of Arts and Humanities

Arts and Humanities research represents the intellectual and creative exploration of the human experience, culture, and society. This broad field encompasses a rich tapestry of disciplines, from literature and history to philosophy and the visual arts. It seeks to understand, interpret, and appreciate the diverse expressions of human thought and emotion, providing insights into our past, present, and future.

 

Literary Analysis and Criticism:

Scholars in this subfield delve into the world of literature, examining the themes, styles, and cultural significance of literary works. They explore the nuances of storytelling, symbolism, and the evolution of literary traditions.

Cultural Studies:

Cultural studies researchers analyze the complex interplay of culture, identity, and society. They investigate how culture influences and reflects social norms, values, and power structures, with a focus on areas such as race, gender, and class.

Historical Research and Preservation:

This subtopic involves the meticulous study of the past, uncovering the narratives of bygone eras, and preserving cultural heritage. Historians delve into archives, artifacts, and documents to shed light on pivotal historical events and periods.

Visual Arts and Aesthetics:

Researchers in this area explore the visual language of art, the evolution of artistic movements, and the impact of visual culture. They seek to understand the meaning, interpretation, and significance

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